Philosophy
Every tone, texture, and silence can carry meaning. When we design sound, we don’t just decorate a scene, we invite listener into an alternate world and make it feel true. Music and sound are the bridge between imagination and belief. Our work focuses on crafting that bridge: immersive, emotional, and precise, so your world isn’t just heard, it’s lived.
Process
In interactive sound, process is everything. We believe that a well-crafted process leads to meaningful results, from sound system design and implementation to close collaboration with the frontend team.
Every detail matters, because when the process is right, every sound finds its place naturally and the experience becomes alive.
Planning
Every project begins with a shared vision. We design a sound system that fits your game’s world, review audio assets, plan the workflow, and set clear milestones keeping the process creative, focused, and efficient.
Design
Guided by the game’s direction and theme, we craft sounds that truly belong to its world. Our design goes beyond presets or libraries.
We record in our own foley studio, travel to unique locations to capture unheard textures, and shape them into a distinctive sonic identity for your game.
Implement
We work closely with the frontend engineering team to bring our sound design to life, whether in Unity, Unreal, or through middleware like Wwise and FMOD.
Every sound is implemented with precision to ensure it behaves as intended and enhances each scene exactly as planned.
Test/QA
We thoroughly test every sound in-game, fixing bugs, balancing levels, and fine-tuning performance across all platforms. Our goal is to ensure the audio not only works flawlessly but feels cohesive and immersive on every playable device.de the information you would like to feature.
Bangkok Team
Our team in Bangkok consists of highly skilled audio professionals specializing in music composition, sound design, and implementation. The team is led by Karan Thamawong, a composer and sound designer with over a decade of experience across diverse fields, including live concerts, film production, and audio post-production. Karan also lectures in game audio at several leading universities in Thailand. With more than 10 years of experience in the game audio industry, he has contributed to and completed the full cycle of audio production for numerous game studios across the country.
